"Performance and Social Theory" - PAD Colloquium Series
This will be a live zoom event. Please check back for registration details.
Pannill Camp, Chair of Performing Arts & Associate Professor of Drama at Washington University in St. Louis, studies performance theory, theatre architecture, and the history of modern western theatre, in particular exchanges between theatre and philosophy in seventeenth and eighteenth-century France.
Pannill Camp is Associate Professor and Chair of the Performing Arts Department, where he teaches theater history and theory, dramatic literature, and performance theory. His research focuses on exchanges between theater, architecture, and philosophy in
He is at work on two new book projects that explore the social dimensions of performance in the modern era. One, entitled Arts of Brotherhood: French Freemasonry in Performance, looks at the ways embodied performances helped freemasons in eighteenth-century France forge models of masculine homosocial behavior and preserve an esoteric body of knowledge. The other, entitled Performance and Social Theory, traces theatrical ideas in social theory from Montesquieu and Adam Smith to the mid-twentieth century sociology of Erving Goffman.
Before arriving at Washington University, Pannill was a postdoctoral fellow at the Mahindra Center for the Humanities at Harvard and taught in Harvard’s History of Art and Architecture department. His articles have appeared in journals including Theatre Journal, Philological Quarterly, the Journal for Eighteenth-Century Studies, the Journal of Dramatic Theory and Criticism, and Performance Research. Pannill has directed several productions, including plays by Molière, Ibsen, Strindberg, and Mac Wellman. He is also a co-host of On TAP: A Theatre & Performance Studies Podcast along with Sarah Bay-Cheng and Harvey Young.